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transgressive art
Transgressive art is art that aims to transgress; i.e. to outrage or violate basic mores and sensibilities. The term ''transgressive'' was first used by American filmmaker Nick Zedd and his ''Cinema of Transgression'' in 1985. Zedd used it to describe his legacy with underground filmmakers like Paul Morrissey, John Waters, and Kenneth Anger, and the relationship they shared with Zedd and his New York City peers in the early 1980s.
==Definition==
From a collegiate perspective, many traces of transgression can be found in any art which by some is considered offensive because of its shock value; from the French Salon des Refusés artists to Dada and surrealism. Philosophers Mikhail Bakhtin and Georges Bataille have published works on the nature of transgression. Probably the most thorough book on the early transgressive movement is ''Deathtripping: The Cinema of Transgression'' by Jack Sargeant.
Transgressional works share some themes with art that deals with psychological dislocation and mental illness. Examples of this relationship, between social transgression and the exploration of mental states relating to illness, include many of the activities and works of the Dadaists, Surrealists and Fluxus related artists, such as Carolee Schneemann – and, in literature, Albert Camus's ''L'Etranger'' or J.D. Salinger's ''The Catcher in the Rye''.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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